Tuesday, February 23, 2016
Friday, February 5, 2016
Macbeth was Verdi's own favorite opera at the time of writing. In 1864, however, when undertaking substantial revisions, he wrote of parts of it as "weak, or even worse, lacking in character." The mid-twentieth century saw a brief revival of the 1847 version, and in recent years, both versions have found place on the operatic stage. The work's very unconventionalities - to judge by essays and interviews - helped it to a mini-boom in the early years of the twenty-first century. (I've written about performances I've seen at the Met here and here.) Macbeth was Verdi's first foray into adapting Shakespeare, and he was unsurprisingly perfectionistic in working with Piave on the libretto, intent on having language echo feeling and fit with musical form.